27 August 2010

Post 227

A cruel trick has been played on me, readers--too cruel, almost, for me to bear.

Where to begin?

I discovered recently a sanctuary to save my sanity from my oppressively mindless and menial occupation (chiasmic alliteration, anyone?). It's called Librivox, and it's fantastic. Theric once told me that one of the most charitable things I could do with myself is to contribute to Wikipedia and thus add to the mass of readily available knowledge that is now at mankind's fingertips, and I believed him, but should I ever find a spare day in my near future, I'd much rather record a story or two for Librivox and thus similarly add to mankind's memory. Librivox.org is a place where audio recordings of works that are in the public domain are available for free. The idea is that people volunteer as readers and editors and organizers and work toward the goal of getting everything that is in the public domain recorded and downloadable.

My job is, as I said, more than usually mindless lately, and I have therefore been reading (or rather listening to) a wide variety of worthwhile old time stories. In the past couple of weeks, I have listened to The Hound of the Baskervilles as well as several shorter Sherlock Holmes tales, The Strange Case of Dr. Jekyll and Mr. Hyde, The Invisible Man, several short stories by Poe and Twain (some were very funny, which is a tribute to both men, and some were not at all funny, which is a tribute to Poe but not Twain) and several other authors, some of whom I'd heard of and some of whom I hadn't. I must confess that I enjoyed most of what I listened to, most especially because they were things I never would have gotten around to reading for myself.

I had so much I wanted to tell you about these old works, but now I can't because I'm so upended by this nasty trick.

Those of you who remember this blog's heyday back in 2008 might also recall my attacks upon the world of fiction. Much of what I said was sensationalized to promote ongoing discussion and hatred, but all of what I said had some tinge of honesty to it and, though I've mellowed out a lot in recent days, I still feel as though I have no time that I can sacrifice to the golden calf of fiction (except for the occasional movie with my wife)--and if I ever do find time to sacrifice to it, I'd much rather spend the time carving my own calves than admiring the existent herds. But listening to these books has been different because I have been able to do so while doing all that is expected of me by my employer. I have been, I suppose, reading for pleasure's sake alone and (worse yet!) as nothing more than an escape from the drear of my bread winning.

The Schmetterling of 2008 would slap me with a furious antenna, I'm sure.

But that's precisely why the trick was so cruel. You see, yesterday and today I listened to The Man Who Was Thursday, which I had never heard of before a few days ago when a friend mentioned it in passing. I looked it up on Librivox and read the description. It sounded like an exciting and thrilling tale: a Scotland Yard man undercover among anarchists--what could be a better distraction from my humdrum life of find-and-replace?

(If you know the book, which I'm not really counting on, you might well be laughing at me now, and you have every right to.)

Yesterday, I got through a good chunk of the book, and it was everything I had hoped for. Some of it seemed contrived and hokey, but it was fun and engaging and unpredictable and curiously funny at times. As I listened, I downloaded a Gutenberg etext so I could copy excerpts to email myself, and I spent large parts of last night wondering how on earth the tale would end.

Today I listened to the last half, and it became inexplicably hard to pay attention to after a while. Then the inexplicability became perfectly clear: I was having trouble following because it was all falling apart. The plot vanished; the characters started fading away. An opaque sort of meaning distilled upon the lens, as it were, distorting the clarity of the story, and then the whole thing ended in an instant, absurdly arriving somewhere near (but not precisely at) the place where it began.

I felt robbed. Where is my denouement? I demand a denouement! I asked Wikipedia what had happened, but it only hinted, delighting in the secret it so politely kept for the book and impolitely kept from me. Dash it all, Chesterton, what has happened to this adventure?

I turned on Pandora and returned to my work, brooding. And then a dismal light dawned somewhere in the fog of my intellect and I beheld the grandest and cleverest but also cruelest and most elaborate trick that anyone ever pulled on me, and I'm not even sure who to blame for it.

In all my raging against the beast of Fiction, I never once concluded that it was incapable of enlightening its readers. Of a truth I intended to argue that it was perhaps better able to edify than nonfiction is, but its aim is so often to merely entertain, and that was the sin that led me to seek so intensely to crucify its advocates. In my mind, Fiction's great crime was not its inability to improve humanity (impotence is a disability and not a crime); no, the crime of Fiction was that it ignored its almost limitless potential and thus became a guilty bystander that observes crimes without punishing them. I hated fiction because it seemed to me an infinitely wealthy man who says, "Be thou warmed and filled" and yet gives nothing.

And then the trick. Just when I sit at the table and say, "Fine, my fair French Princess, I will eat cake. How I wish I had some bread because I'm starving here, but I will feast upon your well wishing. Bring me the feast of the multitude of nations, and I will be the man who dreams that he eats and awakes to an empty soul or dreams that he drinks and wakes up faint; only let me dream that I am filled and I will be satisfied till morning." I sit like Peter Branning with the lost boys, merely pretending to feast, starving and yet momentarily satisfied by the illusion. Herein lay the trick: in the midst of this absurd meal, I found the meat and potatoes I had often sought, the hearty meal I thought I was only pretending to eat. But cruel, cruel world--I wasn't paying attention! I thought, "Hum! This plate of phantasm is curiously tough to chew!" and swallowed it before I knew what it was!

So I'll never know how good a meal it was because I never intend to eat it again, but I daresay there was meat of some kind in there, and even if it was only a McNugget of thought, I wish I'd given it a bit more attention than what I did because I think it came from the breast of one of my favorite theological questions.

[P.S. Is it apparent that I've had hours and hours of literature fed to me through my ears? My words sound stilted to me even as I type them.]

3 comments:

  1. .

    Ah. Chesterton.

    I'll have to pick this up.

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  2. I think if you are initially subjected to many smoothie-esque reading experiences that go down easily, it's definitely understandable that you would choke more than a little on the meat and potatoes.

    And I think this holds true for many of the things we digest (although I'm not, strictly speaking, talking food here): if we grow used to absorbing with little effort, exerting efforts in order to absorb becomes rather painful.

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  3. .

    To say nothing of the final excretion.

    ReplyDelete